![]() What makes the Blofeld shine is the FM and PWM capabilities every oscillator has in its submenus. If you need the sound to be sharper or more cutting, every oscillator also has a Brilliance setting that mimics the aliasing behavior of the older Waldorf synths, which for making Trance plucks or super dirty riddim basses, is perfect.Īll that is fairly standard on any synth though. The analog waveforms are distinctly Waldorfy in character, which is to say, bright and a little glassy. With the SL License (pre-loaded on the keyboard, and costs extra for the desktop) you can load in your own custom wavetables and samples, and expand the possibilities of your synth. Off the bat, the Blofeld sports 3 oscillators, all of which have basic Analog Waveforms (Pulse, Saw, Triangle, Sine), and the first 2 also offer wavetables. It would go on to change their fortunes, and fuel their ascendancy back to the forefront of the industry.Īmidst a sea of wavetable hardware and software synths, and with VSTs having progressed markedly since 2007, one could be forgiven for asking “Is the Blofeld even really worth the money now when I can just use Serum?” And a sound that punched far above its 2.25 kg. A Virtual Analog synth that would combine the best features of the best Waldorf synths, in a compact affordable unit bearing an elegant, minimalist look. ![]() That is, until 2007, when Joachim Flor, a sales rep with a big idea, reassembled the team, gathered some funds, and relaunched Waldorf with a brand new synth. ![]() The company had gone belly up, and their engineers and staff were all left naked in the breeze. ![]() Back in 2004, the Waldorf company, manufacturer of such iconic synths as the Microwave, Pulse, Q, and their assorted iterations, had gone under. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |